Tantric massage stockholm svensk porrvideoKE: For this project you have worked with performance artist Megan Palaima aka MPA. Hennes projekt inkluderar koreografi, fotoinstallationer, grafiska arbeten, video, text, curering av utställningar och olika samarbeten. But if you think about the power dynamics of these roles, to me, I think Im more interested in building conceptual frames and improvising inside of them.
KE: Social movement is eskort södermanland thai escort göteborg key concept in gratis porrn dejting för äldre your work, and your first video was gratis porrn dejting för äldre even eskort södermanland thai escort göteborg called Social Movement. In general I have read Mouffe before for her theorization of agonistic public space, and thats why I picked up this text now in Stockholm. Being interested in all kinds of political and social movements, in counter cultures, and the way that one image or one person comes to represent this whole body. So even my writing and my curatorial work are grounded in ideas about movement and movements. He is a trans activist and lawyer and he would rather die than wear a body suit in front of a bunch of strangers. And that is really the form of what she does. Jag drogs till Sergels torg som plats för att jag genom åren har undersökt hur politiska rörelser eskort södermanland thai escort göteborg representeras. The other element of that video is me thinking about representations of groups. I remember when I did a performance at Weld, here in Stockholm, some years ago. How did the collaboration between you and MPA come about?
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Med stöd av ABF Stockholm. ER: No, its more about improvisation than control. I have the feeling you have a very broad understanding of what social movement can be, could say something about that? Is everything used properly and what is proper use? Stort tack till: Sara Brolund Carvalho, lawen Mohtadi, mats Stjernstedt och Index, michele Masucci.
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KE: In 2001 you, Ginger Brooks Takahashi and K8 Hardy founded lttr, which is a feminist queergender collective. Sometimes, I think some of these projects deal too much with representation and too little with agency. I think that understanding is part of the impulse to describe a movement, which is not something that I was trying to is a political desire. Whats your take on choreography? What is so fascinating for me with Sergels Torg is that it is a planned place for protest and social movements. But this is what I end up doing.
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